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Volume 7 Issue 48…Dedicated to the Dialogue on Race…December 3, 2004

 

 

 

Intuit's Vibe

Where Air of Freedom Is

By Walter Everett Hawkins

 

Where air of freedom is,

I will not yield to men,-

To narrow caste of men

Whose hearts are steeped in sin.

I'd rather sell the king

And let his goods be stole,

Than yield to base control

Of vile and godless men.

 

Where air of freedom is,

I will not yield to men.

I'd rather choose to die

Than be a living lie,-

A lie in all I teach,

A lie in all I preach,

While truth within my heart

Its burning fires dart

To burn my mask of sin.

I'd rather victory win

Thru martyr's death than grin

At wrongs of godless men.

 

Where air of freedom is,

I will not yield to men.

I spurn the alms of men,

The livery of kings,

I own far nobler things.

I'd rather choose to own

The pauper's garb and bone,

The eagle's eye of truth,

The lion's strength of youth,

The liberty of thought,

A free man's right, unbought,

A conscience and a soul

Beyond the king's control

Than be the lord of slaves

Of quaking, aching slaves,

Of senseless, soulless knaves,

Or seek to revel in

His ill-got wealth and fame,

His world-wide name of shame,

His liberty to sin,-

I will not yield to men!

 

 

 

Phantom Scribbler

Birthday Quandary

 

I am the grandmother of six.  Several years ago my daughter gave birth by Caesarean section.  The baby was healthy as was my daughter.  When she became pregnant several years later, it was assumed the second birth would also be by C-section.  No one suggested, nor did my daughter consider, natural childbirth.

 

My grandchildren are intelligent, healthy and happy.  At least, they have not been diagnosed with any ailments and do not take drugs to control abnormal behaviors, like so many children today.

 

While one does not like to compare, there are noticeable differences between my grandchildren born naturally and those brought into the world through Caesarean section.  Perhaps, the best way to explain my quandary is to recount a lesson learned on the farm.

 

Warned not to interfere with eggs hatching and brooding hens, we nonetheless managed to crack a few eggs "to assist baby chicks into the world."  The birds were weak.  Unable to flap their wings or walk, the poor creatures weakly chirped and quickly croaked.

 

Could children not allowed to force their way into the world through the birth canal be similarly weak for not having experienced this struggle?  Maybe, not necessarily as physically weak as those baby chicks, but lacking the will to exert themselves to get the things they want.  By bypassing the essential struggle of birth, could our children be denied something necessary to survive and thrive outside the womb?

 

 

 

Bit of History

David Wark Griffith (1875-1948)

 

Producer and director of USA silent films, David Wark Griffith was born in La Grange, Kentucky on January 22, 1875, ten years after the Civil War.  Like many southerners, his family's fortunes declined with the demise of the Confederacy.  Around age 16, Griffith decided to become an actor and obtained bit roles in traveling troupes and stock companies. 

 

Griffith later turned to acting in the silent film industry.  He performed in The Eagle's Nest, an Edison studio production, before signing with the old Biograph Company. Griffith appeared in a number of one-reel films, including When Knighthood Was in Flower.  In June 1908, Griffith was promoted to assistant director and produced his first film, The Adventures of Dollie. 

 

Griffith revolutionized the cinema industry.  The long shot, the vista, the vignette, the eye-opener effect, the cameo-profile, the fade-in, the fade-out, soft focus, back lighting, tinting, rapid cutting, parallel action, and the moving camera are Griffith innovations.  He was the first director to depart from the standard 1,000-foot film; he made the first four-reel, Judith of Bethulia, which was an immediate success in both the US and Europe.

 

Using film to espouse political views, Griffith turned a critical lens on social abuses in urban settings and factories in The Musketeers of Pig Alley (1912) and The Mother and the Law (1914).  His most famous pictures include Intolerance (1916), Broken Blossoms (1919), Way Down East (1920) and America (1924).  Griffith produced and directed nearly 500 films at a cost of roughly $23 million.  He grossed $80 million at the box office.  His magnum opus, The Birth of a Nation (1915), which was based on two novels and a play that hailed the KKK as heroic and blacks as villainous, grossed more than $48 million before his death.

 

Griffith discovered and developed the talents of well-known silent films artists, including Douglas Fairbanks, Sr., Mary Pickford and Lillian and Dorothy Gish.  With Fairbanks, Pickford and Charles Chaplin, Griffith founded United Artists Corporation (1919).  In 1933, he sold his interest in the motion picture company.

 

Griffith received a special award from the Academy of Motion Picture Arts and Sciences for his achievements as producer and director in 1935.  He died in Hollywood, California on July 23, 1948.  (Sources:  Encyclopedia Americana and www.gmu.edu)

 

 

 

Hood Notes

The Birth of a Nation (1915)

 

A cinematic landmark, D.W. Griffith's The Birth of a Nation is a study in US racism.  Based on the novels The Clansman: An Historical Romance of the Ku Klux Klan (1905) and The Leopard's Spots: A Romance of the White Man's Burden, 1865-1900 (1902) and The Clansman (1906), a play written by Rev. Thomas Dixon Jr., the film recounts the Civil War and Reconstruction from a Southern white point of view. 

 

Portrayed by white actors with black shoe polish on their faces, newly freed blacks were depicted in the film as loyal and loving servants that stayed with their former masters or vicious, idiotic simians lusting after white women.  The film glorifies the Ku Klux Klan (KKK) for redeeming the "Lost Cause" and restoring white supremacy, a "traditional American family value."

 

Closely allied, Griffith obviously relied heavily on the writing of Rev. Dixon, whose play was produced "to teach the North, the young North, what it has never known-the awful suffering of the white man during the dreadful Reconstruction period. I believe that Almighty God anointed the white men of the South by their suffering during that time . . . to demonstrate to the world that the white man must and shall be supreme."  It also used text from A History of the American People (1902) by Woodrow Wilson in which the future US president praised the KKK for saving the South.

 

While greeted with black protests, the film enjoyed tremendous success.  At the urging of his graduate school friend, Rev. Dixon, Woodrow Wilson screened it in the White House.  Its opening at the Liberty Theater near Times Square was preceded by advanced publicity, which included giant KKK billboards, special trains to transport white moviegoers, horsemen dressed as Klansmen riding through city streets and unprecedented media coverage.  Thousands were attracted to the theaters and into the KKK.

 

The Birth of a Nation remained the number one box office attraction until replaced by Gone with the Wind, another Civil War and Reconstruction tale told from a romanticized southern point of view.

 

According to some historians, The Birth of a Nation accomplished two competing tasks.  It spurred a rebirth of the KKK and gave birth to the modern civil rights movement. (Sources: www.chnm.gmu.edu, www.organicanews.com and www.scc.rutgers.edu.

 

 

 

News You Use

C-Section Facts

 

The Caesarean or C-section is major abdominal surgery for delivering a child through an incision in the abdominal walls and the uterus.  This procedure was first performed on a dead or dying woman. Possibly from the Latin verb caedere, to cut, the etymology of the Caesarean is unclear, but it is often attributed to Julius Caesar, who reportedly was born by this method.

 

Dating back to ancient times, the first recorded operation of this kind occurred in 1500; a Swiss butcher operated on his wife.  While it was often resorted to, the mortality rate was high for mothers.  Modern surgery has significantly decreased mortality. 

 

In general, when normal birth is impossible, the C-section can be a life saving technique for infant and mother.  According to the World Health Organization (WHO), no region in the world is justified in having a cesarean rate greater than 10 to 15%.  Yet, c-sections account for 25% of the children born in North America.

 

This rate is alarming because cesareans pose medical risks to the mother's health, including injury to other organs, transfusions, anesthesia complications, infections, hemorrhage, psychological complications and maternal mortality.  An elective c-section increases the risk to the infant of respiratory distress.  Even in mature babies, the absence of labor increases the risk of breathing problems and other complications. C-sections can delay the early mother-newborn interaction, breast-feeding and the establishment of family bonds.  And, c-sections cost twice as much and require longer hospitalizations than vaginal births

 

Over a third of c-sections in North America are repeats.  Yet, the American College of Obstetricians and Gynecologists (ACOG) recommends that women have vaginal births after a cesarean.  Although the "once a cesarean, always a cesarean" rule is medically outdated, many hospitals that offer maternity care do not allow or encourage a vaginal birth after a c-section.

 

Common medical reasons for c-sections in North America are: routine repeat cesareans, dystocia (non-progressive labor), breech presentation and fetal distress. Non-medical factors include mother's age, medical insurance, education and socioeconomic status.  Too often, c-sections are performed to avoid patient pain, patient or provider convenience, legal concerns or financial reasons.   For more, visit www.childbirth.org.

 

 

Disgruntled feels:  Perplexed!  The sag style, which features baggy attire, has gone from slightly sloppy to constantly dropping below the pelvis.  The style renders physical activity, such as running, out of the question.  Too often, the oversized outer shirts sag afficionados wear are the only things keeping the world from seeing their derrieres.  Slaves to style, these mostly young men assume a wide-legged gait to accommodate their sagging attire.  Having asked numerous people to explain this over-sag obsession, without satisfaction, I remain perplexed that anyone would wear pants so big they must be clutched at the waistband to keep them up. 

 

Disgruntled wants to know:  With the 1915 release of The Birth of a Nation, the Ku Klux Klan, which advocated white supremacy, terrorized the black community, lynching a black weekly.

Klansmen were law enforcement officials, members of Congress, judges that sat on the federal bench and even US presidents that espoused racial inequality rather than democracy.  In 1926, the KKK openly marched in Washington, DC down Pennsylvania Avenue.  Proudly waving the star-spangled, red, white and blue banner, the terrorists were welcomed in the nation's capitol.  DC is majority black; one wonders where did they go to avoid being lynched when the nation's leaders held the KKK state dinner?

 

Disgruntled says:  During slavery, blacks were bred for stamina much like farm animals.  Strong bucks - black field hands, and fillies - young black women, were mated to produce offspring that could endure hard labor.  Heart disease, obesity and diabetes are banes of our contemporary existence.  To counter them, blacks must reduce their fat intake, eat more fruits and vegetables and get plenty of exercise.  To buy into the notion that pills will cure these ills is to embrace suicide.

 

 

Comments from the Bat Cave

 

The Dark Knight-Batman/White Ninja/Zorro is a slave to these commercial holidays.  Indoctrinated by mass media and the public school system to crave video games, action figures and sundry accessories, he is working on an extensive list for Santa or anyone else willing to take on those prescribed duties.  Given this, he has cut short his self-imposed hiatus.  When asked for comments this week, the Dark One/Ninja/Zorro cheerfully inquired, "What would you like me to say?"

 

 

The Birth of Racism

By John Burl Smith

 

In nature, birth is the result of pain and struggle.  The entity that issues forth that new life must endure the stretching and tearing of tissues or structures in order to make way for that which comes.  Birth requires of the new life, an undeniable will to break free from whatever confines it.  Thwarting or facilitating this process can have a devastating impact on the new life. 

 

Classic examples are insects or other creatures that are assisted rather than emerge unaided from their chrysalis or eggs.  If assistance is given a grub or chick to help them break free of their shell, they enter life severely weaken.  Their wings and limbs do not reach full development, as when they must struggle for life.  In other words, such assistance cheats them out of a full birth and a chance at a successful future.

 

Democracy, freedom, justice and equality suffered a similar fate in the United States when involuntary servitude was made a condition of skin color.   Those with black skin were wrapped and bound in an invisible legal blanket, known as the "Great or 3/5 Compromise."  This skin color interdiction aborted the struggle to birth a nation that believed these "truths to be self-evident: That all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among these are life, liberty, and the pursuit of happiness."  Black skin became synonymous with slavery and inequality blacks' lot.

 

Years of discord, political wrangling and outright hostility followed the aborted birth of the people's desire to throw off forever the yoke of tyranny and privileged class domination.  Then came the Civil War, another great upheaval within a society pregnant with an unquenchable desire and undeniable will to be free of the scourge of slavery and domination by the class that derived its wealth from buying, selling and exploiting humans.  At that war's conclusion, Abraham Lincoln's hope for "a new nation conceived in liberty and dedicated to the proposition that all men are created equal" reaffirmed the national attempt at rebirth.

 

Tantamount to a partial birth, the Civil War was perverted into an abortion by whites that saw racism as their only means of maintaining power.  White supremacy by racists, like Presidents Andrew Johnson, Rutherford B. Hayes and Woodrow Wilson, created an atmosphere of acceptance of prejudice, bigotry and discrimination as the national policy.  Black skin became the target of a total denial of rights through laws that denied humanity to those of color.  The film "Birth of A Nation" swept over the US like the current "evangelical Christian wave," as Christians led lynch mobs in the name of Jesus Christ and God Almighty.

 

White intellectuals and red necks alike joined the Ku Klux Klan and lynch mobs.  The national policy of racism and lynching blacks was the top form of entertainment, on par with evangelical spiritual/rock concerts today. Evangelical values were called nativism back in the 1900s, when lynch law was preached from pulpits and the KKK grand wizard was welcomed at the White House like Ariel Sharon of Israel.

 

Without the KKK regalia of hoods and sheets, George W. Bush's inaugural parade will resemble the 1926 photograph of a KKK march down Pennsylvania Avenue with the Capitol building visible in the background.  There is no need to wear sheets and hoods when elections can be openly stolen.  Next, lynching blacks again will be photo opportunities for aspiring Republicans seeking election in 2006.  

 

 

Atlanta Vibe

Bon Voyage!

 

In just a few days, armed with well wishes, hugs and kisses from their Atlanta base, Aqyil Thomas and Yohannes Sharriff will embark on their European adventure.  The pair can barely contain their excitement.

 

Two more dates have been added to the tour, one in Vienna and another in Munich.  Their first feature will be in Amsterdam on December 9th at The Open Stanza hosted by Prue Duggan.  Afterwards, the pair will head to London for a couple of days to visit with friends and a feature on December 17th, before returning to Amsterdam for shows on December 19th and 20th.  Then, it is back to London for a feature on the 26th, with dates in Vienna and Munich to follow.

 

Timely suggestions and expressions of support from the poetry and online communities have been wonderful. Without you, this endeavor would have been impossible.  So, we would like to take this opportunity to again thank everyone that has expressed an interest in and provided assistance to our young artists.

 

While some performance dates have been confirmed, their itinerary remains a work in progress.  For specifics, please email yohasha@yahoo.com or aqiyl@aol.com.  Bon Voyage!

 

 

 

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