The DISH

Unbossed and unbought news and information you can use

Vol. 12 Issue 6…Dedicated to the Dialogue on Race…February 8, 2009

 

 

Hood Notes

Lotus House

By Dot



"Through art we learn to touch our collective soul. We are reminded when we see art, we are all interconnected" Constance Collins Marguiles, founder of Lotus House

 

Lotus House is a women's sanctuary, a place to restart life without drugs, alcohol, crime or abuse, the problems that made them homeless. Opened in 2006 in Overtown, one of Miami, Florida's toughest neighborhoods, Lotus House aims to address the emotional and physical needs of homeless women and prepare them to live independently.

 

On average, women stay at the shelter for approximately six months. During this time, they learn basic computer and job-hunting skills. Classes in math, English literary and other subjects are also offered. The Lotus House clothes closet is stocked with appropriate interview attire. Residents receive bus tokens for transportation to and from interviews. Women that leave Lotus House to live independently receive furniture and other necessities for their new homes, including cooking utensils.


Art is an important component of the Lotus House rehabilitation program. In addition to providing shelter for these women and their young children, clothing and life skills, Lotus House employs art to assist women in reshaping their lives. The women receive life coaching, day care assistance, prenatal care, daily meditation and art classes, creative writing, jewelry making, cooking and yoga. Visual artworks by an array of artists adorn every room of the facility.


Art also helps pay the bills. Lotus House's $850,000 annual budget is funded by a mix of private and public money. About 15 percent of its budget comes from state and local grants. Individual donations, public and private foundations and the money it earns by selling photography and poetry created by its residents and other professionals account for the remainder of its annual budget. Yet, like other efforts that rely on public and private funds, Lotus House is being impacted by the economic downturn. Food banks that normally supply its food are depleted, and contributions have also been affected.

 

For the women and children that receive vital services through Lotus House, it is a miracle. The most comprehensive homeless program in Florida, it is the only one that focuses exclusively on assisting women with young children. According to experts in the field of rehabilitation, Lotus House should serve as a model for such facilities nationwide. It is a successful application of art and rehabilitation. Learn more about Lotus House and how you can help at www.lotushouseshelter.org.




Pictorial Highlights of One Among Millions

By John Burl Smith



Last week's issue (The DISH Vol. 12 No 5), in One Among Millions, I described for our readers the wonderful experience I shared with my George Washington Carver High School classmates at President Barack Obama's inauguration. While there, Irvin Grice, retired high school principal from Miami, Florida, served as our photographer.


Grice has graciously consented to share all of his wonderful pictures with America by way of The DISH's website. If you would like to get a first hand look at our adventure, go to the website at www.thedish.org and click on Inauguration Pictures, where we have posted a few of the hundreds of images Grice captured during the inauguration.


These pictures are available for the enjoyment of The DISH's readers and cannot be used for any commercial purpose whatsoever. Anyone wishing to do so should contact Irvin Grice at ipgrice@bellsouth.net.





Bit of History

Harry Lloyd Hopkins (1890 - 1946)

 

Born August 17, 1890 in Sioux City, Iowa, Harry Lloyd Hopkins was the fourth child among four boys and one girl of David and Anna Hopkins. His father, a harness maker from Bangor, Maine, and mother, Anna Hopkins from Hamilton, Ontario, met in Vermillion, South Dakota, where they were married. After Harry was born, the family moved to Council Bluffs and finally settled in Grinnell, Iowa.

 

Hopkins attended Grinnell College and graduated in1912. He first worked with Christodora House, a social settlement on New York City's Lower East Side. Then, he worked for the New York Association for Improving the Condition of the Poor (AICP) as superintendent of the Employment Bureau (1913). Two years later, Hopkins became executive secretary of the Bureau of Child Welfare, overseeing pensions for mothers with dependent children.

 

Hopkins opposed America's entrance into World War I, but once war was declared in 1917, he supported it. Rejected for the draft, Hopkins moved to New Orleans as director of Civilian Relief, Gulf Division with the American Red Cross. The merger of the Southwestern Division brought Hopkins to Atlanta as its general manager in 1921.

 

Hopkins returned to New York City where he became general director of the New York Tuberculosis Association in 1922. New York Gov. Franklin D. Roosevelt named Jesse Straus, president of Macy's department store, to run the Temporary Emergency Relief Administration (TERA) and Straus named Hopkins TERA's executive director in 1931. Roosevelt was impressed with Hopkins efficient administration and in 1932 made him president of the agency. Hopkins and Eleanor Roosevelt developed a strong working relationship based on his relief work.

 

FDR brought Hopkins to Washington in 1933 as administrator of the Federal Emergency Relief Administration (FERA), later renamed the Civil Works Administration (CWA), and then the Works Progress Administration (WPA). Over 90% of Hopkins' work force were unemployed or on relief. FERA funded local work relief operations. CWA focused on short-term projects that left a lasting impact. In less than two months, the CWA hired four million people, and in five-months built and repaired 200 swimming pools, 3,700 playgrounds, 40,000 schools, 250,000 miles of road, and 12 million feet of sewer pipe.


Although concerned with rural areas, Hopkins focused on unemployment in cities. He and Eleanor Roosevelt worked together to publicize and defend New Deal relief programs. The WPA, which followed the CWA, operated independently, selecting projects with the cooperation of local and state governments. Hopkins started the National Youth Administration (NYA), the Federal One Programs for artists and writers and the Civilian Conservation Corps (CCC). A program designed to address the problem of jobless young men between 18 and 25 years old, CCC camps were set up all around the country.

 

For blacks, Hopkins was an excellent choice to head the WPA. Black leaders pressured FDR to give blacks relief employment that reflected their population and their unemployment statistics. Roosevelt responded with an executive order that demanded hiring be irrespective of race. Hopkins reiterated that order with a prohibition against discrimination. He also established a "black cabinet" which included Robert C. Weaver and William A Hastie. As a result of Hopkins' insistence, there were 350,000 blacks employed annually in the WPA, constituting 15 percent of the program, although this was far less than their proportion of unemployed (49.5%) in the country. Nevertheless, the WPA Education Program raised many thousands of black recipients to literacy and trained thousands more as skilled craftsmen and teachers.


By 1941, the WPA had invested $11.3 billion in 8 million relief workers who built such diverse projects as 1,634 schools, 105 airports, 3,000 tennis courts, 3,300 storage dams, 103 golf courses, and 5,800 mobile libraries. The WPA sought to fit tasks to recipients' job experience and to be inclusive. A Women's Division offered suitable tasks and equal pay for the 12 to 19 percent of women working for the WPA. The FERA's first relief census reported that more than two million black Americans (17.8%) were on relief in early 1933 (whites on relief 9.5%). By 1935, 40 percent of the nation's black families were either on relief or employed by the WPA.

 

Harry Lloyd Hopkins, a man who saw a need and tried to fill it, died in New York City in January 1946.







Venue for an Artist

America Grows

By Norman Brustein (1937)



And men's dreams be rudely shattered,

like thin glass struck with a stone.

By greed and war and love of gold

We have worked hard. . .

Centuries have toiled their weary way

Through dusty eras of misty time.

From the days when tyrants ruled,

From the bloody dawn of revolution, the pioneers with nail hard hands

And the statesmen with soft words

Have pushed the frontier into the sea.



A country nourished on brave men's blood

Thrived on its diet and rapidly grew,

But the dream was cruelly shattered
When industry burst into revolt
And the seething land burnt in twain.
Songs of triumph and madness reigned,
Blazing fires of sweet victory
Glimmered on the Northern horizon,

The shout of commanding bugle screamed

Its savage joy at the taste of blood dearly gained.

The hot blood was shed, so they said,

To save the slaves from an awful fate;

When victory was won, the slaves were free

Free to starve again.



And when this madness sank to sleep,

A babe was born, a giant in the cradle,

Who cheerfully fed on oil and steel

And spat out railroads and trusts.

The infant grew as no child has grown

And thrived on gears and coal and wheels

Until he held the shivering land

On the tip of his dirty fingers

And squeezed it in his oily black palm.



We worshiped the men who fed this giant,

The builders of iron and shapers of steel,

As heroes returned from far flung wars,

Bringing their loot to enrich the land.

They lapped our love with eager tongues

And carefully spun their golden webs

Of silken strength and insinuating power

To enmesh the foolish flies

And cast away the empty husks

After sucking out their money juices.

The news of prosperity reached the millions,

Of taxed and tyranny-ridden Europe.

They flocked to the gilded shores

Of what they thought was Utopia--

Food for the giant that eats the world.

Some were beginning to think their dream fulfilled

When again the tiger awoke and roared

And the dream was abruptly shattered:

Again we loved the march of men

The stiffened strides of trained machines

Again we sang the maddening songs

Of triumph and joy and reddened glory.

The sumptuous beat of martial music

A song of hatred in glorious tones, lured to a horrible death

the men who thought they fought for Peace

"To save the world for democracy."



This time the madness did not die; its fervor waxed and flamed anew.

We danced and played and rowdily sang,

and feasted our surfeited eyes on the supple rhythms of taxi dancers.

Reason fled to another planet; a money madness seized the nation;

the idols of gold with speechless lips, with ruddy jewels shouting their cost ruled

the speculators out of their wits

and led the dance of the foolish flies

into the meshes so carefully made.

The beautiful bubble suddenly burst;

scattering speculators to the winds



And dark claws of sinister want slid into merry lives

A ghostly hand from out of the darkness

gripped the warm hearts of the people:

Fear . . . a nameless unholy fear of the future

Fear of want, fear of retribution, the pitiful idolaters of gold

Running madly out from their holes

to clasp for sure protection

The broken clay feet of their idol

were crushed by the falling bust,

A sacrifice to the god they had made.



About Me: America Grows by Norman Brustein is taken from The Magpie Sings the Great Depression: Selections from DeWitt Clinton High School's Literary Magazine, 1929-1942. Brunstein was one of the many artists aided by federal programs aimed at ending the Great Depression. His works and those of other artists are available at http://newdeal.feri.org/.





For Those Who Have Forgotten or Never Knew

By John Burl Smith

 

George W. Bush and Republicans in Congress chose to fight two wars on credit and gave tax cuts to the wealthiest Americans. This piled over eight trillion dollars of debt on the backs of our children. Caught in the grip of the worst economic crisis since the Great Depression, now spendthrift Republicans refuse to support President Barack Obama's efforts to stimulate the economy; they say the cost will burden the next generation. Republicans today are like those in power during the 1920s, whose policies bankrupted the country.

 

For those who have forgotten or never knew, following the stock market crash in 1929, and collapse of the American economy, conservative Republican President Herbert Hoover refused to intervene with a fiscal stimulus and conditions worsened. Unemployment shot up to 24.9 percent and 8 to 15 million Americans were unemployed in 1933 when Franklin Delano Roosevelt took office.

 

Millions of homeless Americans wandered the country in search of jobs. Shanty towns sprouted like weeds and dotted the landscape across the nation. Hobos rode the rails with only the clothes on their backs and thousands went hungry for days.

 

Roosevelt defied traditional wisdom with the Federal Emergency Relief Agency (FERA). Created in 1931, it was the first in a series of programs designed to put people back to work and get the country's economy moving again. Believing that work relief would provide recipients with self-esteem by earning a living, FDR changed the character of the FERA, replacing it with the Civil Works Administration (CWA). Shortly thereafter, over 2 million people went to work on roads, buildings, and parks. FDR pushed through the Emergency Relief Appropriations Act in 1935, which funded the Works Progress Administration (WPA) with $4.8 billion, the largest relief program in American history.

 

Unlike conservatives, FDR put artists to work along with everyone else. Nicknamed "Federal One," Federal Project Number One was created in 1935 to extend New Deal relief to artists, actors, writers, and musicians. The Arts had never been high on FDR's list of priorities, but Eleanor Roosevelt felt strongly that American society had not done enough to support the arts, and she viewed Federal One as a powerful tool with which to infuse art and culture into the lives of Americans.


Federal Project Number One had five elements: Federal Art Project (FAP), Federal Writers' Project (FWP), Historical Records Survey (HRS), Federal Theatre Project (FTP) and Federal Music Project (FMP). The Federal Art Project (FAP) employed 5,300 visual artists and related professionals at its height in 1936. It had a murals' project that painted over 2,500 murals in hospitals, schools and other public places. Individual artists, sculptors, graphic artists and photographers produced scenic designs, architectural models, posters, stained glass and many other products for buildings, parks and educational use. Hundreds of teachers were employed by the Art Teaching Division in settlement houses and community centers. Many black artists such as Gordon Parks, Leon Gilmour, Harry Gottlieb, Chet LaMore, and Paul Landacre found audiences through the WPA.

 

The Federal Music Project employed around 16,000 musicians at its peak. Federal Music Project ensembles -- orchestras and chamber groups; choral and opera units; concert, military and dance bands; and theater orchestras -- presented an estimated 5,000 performances before some three million people each week. Music projects had local cosponsors -- schools, colleges, government or civic groups -- and small admissions charges helped defray costs. The Federal Music Project also provided classes in rural areas and urban neighborhoods. In 1939, an estimated 132,000 children and adults in 27 states received instruction weekly. Black composer William Grant Still and folk singer Charles Seeger were a part of the FMP.


The Federal Theatre Project employed 12,700 theater workers at its peak. State units were established in 31 states and New York City. Federal Theatre units presented more than 1,000 performances each month before nearly one million people -- 78% of those audiences were admitted free of charge, many seeing live theater for the first time. The Emperor Jones was one of several plays in which blacks and black themes were featured. The Federal Theatre Project produced over 1,200 plays in its four-year history. It introduced over 100 new playwrights. Many film and theater people later achieved wealth and success in Hollywood, after participating in the FTP - among them Orson Welles, John Houseman, Burt Lancaster, Roes McClendon, Joseph Cotten, Will Geer and E.G. Marshall.


The Federal Writers Project employed 6,686 writers at its peak in April 1936, with active projects in all 48 states and the District of Columbia. The Federal Writers Project is best-known for its American Guide Series. It produced comprehensive guidebooks for the nation. FTP also included studies on such topics as architecture, science for children, and American Indians. Its oral history archives gathered Slave Narratives and folklore. Born in Slavery: Slave Narratives from the Federal Writers' Project, 1936-1938 contains more than 2,300 first-person accounts of slavery and 500 black-and-white photographs of former slaves. These narratives were collected in the 1930s as part of the FWP and assembled and microfilmed in 1941 as Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves. Some participants in the FWP were Ralph Ellison, Richard Wright, Claude Brown, Saul Bellow, Margaret Walker, Arna Bontemps and Zora Neale Hurston.

 

For those who have forgotten or never knew, Republicans fought FDR in the 1930s just as they are fighting President Obama's efforts to stimulate the economy today. Looking back 60 plus years, everyone readily acknowledges that the New Deal saved the country. If we follow the Republicans, rather than Pres. Obama, one must wonder, will there even be a country 20 years hence? It really isn't about the money, it’s about black, you know that!



News You Use

A Secretary of Arts

By John Burl Smith



Last November musician Jaime Austria was listening to an interview of musician, composer, music producer, songwriter and arranger extraordinaire Quincy Jones by John Schaefer, WNYC talk-show host of "Soundcheck" in New York, in which Jones said "One of the next conversations I have with President Obama is to beg for a Secretary of the Arts." That comment inspired Jamie to start a petition drive to make Ouincy's idea a reality. He has garnered a groundswell of support, not just because Quincy Jones thinks that President Barack Obama should create a Cabinet-level position of Secretary of the Arts, but because thousands of ordinary Americans believe it makes sense. For centuries, especially in Europe, many countries have had Ministers of Art or Culture. However in the United States of America such a concept is treated like "the separation of church and state."


A growing number of high profile artists have signed the petition, which now has over 228,098 signatures -- goal is a million. The Arts community needs this and the country needs to develop a new millennium perspective on the Arts. Music, dance and other creative expressions should be on par with writing in public schools. Although this statement will draw howls from some, hip hop, a creation of young black artists, is sweeping the world. Along with blues, jazz, soul and rock n' roll, hip hop is an American creation that is generating billions of dollars. So this idea makes economic sense. Owing to its origin, hip hop has been pushed to the back of the bus and must use the back door when entering polite company, rather than being judged based on content.


Art in America has always been an extension of European culture; therefore, the nation has never taken advantage of its own artistic creativity. Much like slavery, the country has enjoyed the money it made but held its nose when it came to giving credit to those who did the dirty work of developing the art forms or genres.


Quincy has talked about this idea for 10 years: "I have had that idea for a long time now. It is just a question of us executing it. I think we need it now more than ever. I really do. There's science, and then there's the soul." In fact, Jones' comments are featured in a compilation of noteworthy suggestions from public figures published in John F. Kennedy, Jr.'s 1999 book: 250 Ways to Make America Better.


I signed the petition because I believe this will be a way this nation can get over itself. It has had a "white folks" only mind-set since the 3/5 Compromise was added to the US Constitution. There is no way America can approach art without talking about the contributions of slave descendants. Sooner or later the nation will have to have this conversation, better now than later, because America is in the process of reinventing itself.

 

The economic crisis it is facing will require everyone to pull together to emerge a better and stronger nation. America must jettison its denial, racism and discrimination complex. Such a cabinet-level position could lead a dialogue on race that could lead to reconciliation. We have never had the opportunity to establish the kind of nation we want to be. A nation built on lies, deception and division will not stand. This is not about the past; it is about the future - our children!! Please take a moment to sign this petition at www.petitiononline.com/esnyc/petition.html, and then pass it on to your friends and colleagues.





Disgruntled says: There is a old African maxim that says, "In the presence of leadership I follow, but in its absence, I lead." When considering the present economic crisis in the United States and its causes, it is clear from the vote in November that the American people rejected the leadership of George W. Bush and the Republicans. Now that House Republicans have rejected President Barack Obama's stimulus plan and his efforts towards bipartisanship, they will not follow. The only course left for the Republicans is to get out of the way.



Disgruntled feels: Hubris! On Monday, President Barack Obama forthrightly declared that mismanagement by the financial system was so pervasive that the losses cannot be calculated. Under the circumstances even more banks are likely to fail before the system achieves any semblance of normalcy. The president's assessment of the financial situation, which echoes that of economists worldwide, comes on the heels of an unprecedented government bank bailout in the billions. Even with a carefully crafted fiscal stimulus package, conditions are not favorable for a swift economic recovery. Monetary policy is largely sidelined, given historically low interest rates at which banks do not appear to be lending. In fact, banks are tightening lending standards in the face of already tight credit markets, a situation the Troubled Asset Relief Program (TARP), i.e., the bank bailout package, was supposed to rectify. According to an investigative report by the Associated Press, the major banks that received TARP bailout funds requested thousands of visas for foreign workers over the past six years to fill high-paying positions. And, to cap off this high-handed hubris, the bailout did more to aid foreign investors than the folks at home.



Disgruntled wants to know: On Tuesday, militants blew up a bridge in northwestern Pakistan, severing a major supply line for Western troops fighting the Taliban in Afghanistan. In recent months, Afghanistan freedom fighters have stepped up operations against the US-led mission in the region. Lest we forget, these people are fierce warriors, who, arguably with US assistance, routed the Russians. According to some historians, the Russian adventure in Afghanistan bankrupt that nation. Now, it is the US' turn to try and tame a region that has successfully resisted previous attempts. The US Pentagon has already advised President Obama to scale back on its goal of democracy-building in the region and instead concentrate on targeting Taliban and al-Qaida sanctuaries. Even that goal may prove ambitious, since Pakistan must be willing to allow the US military to operate inside its borders. President Obama has indicated that he wishes to reduce troop levels in Iraq and build up troop strength in Afghanistan. Some will argue that the US attack against Afghanistan was justified based on the Bush administration claim that the 9-11 terrorist attack was planned by Osama bin Laden inside Afghanistan. With so many unanswered questions surrounding that incident, some of us are not convinced we really know what happened on 9-11, much less who planned and carried out that attack. And, we must take note of the fact that the US mission in Afghanistan has been more about a gas pipeline than capturing bin Laden. Thus, we must ask, is Afghanistan Obama's Vietnam?







Mailbox: E-Mails, Faxes and Telephone Calls



Email www.msnbc.com ...Mass layoffs across almost every line of business catapulted the nation's unemployment rate to 7.6 percent in January and lent more urgency to Washington's attempt to quickly hammer out an economic stimulus package. Friday's data from the Labor Department was a laundry list of misery milestones: The most jobs lost in one month since 1974, the highest unemployment rate since 1992, the largest one-month drop in factory jobs since 1982 and the most jobs lost in 12 months since the government began keeping records in 1939.



Email www.ap.com ...Commission gets grim report on wartime spending...By Richard Lardner...A new commission examining waste and corruption in wartime contracts got a grim report from government watchdogs who say poor planning, weak oversight and greed combined to soak US taxpayers and undermine American forces in Iraq and Afghanistan. Stuart Bowen, the inspector general for Iraq reconstruction, says the US has committed nearly $51 billion for a wide array of projects in Iraq - from training the Iraqi army and police to rebuilding the country's oil, electric, justice, health and transportation sectors. Some of these projects succeeded; many did not. Overall, the Pentagon, State Department and US Agency for International Development have paid contractors more than $100 billion since 2003 for goods and services to support war operations and rebuilding projects in Iraq and Afghanistan.