The DISH

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Vol. 10 No. 3…Dedicated to the Dialogue on Race…January 19, 2007

 

 

 

 

Intuit’s Vibe

All Shook Up

By Otis Blackwell

 

A well I bless my soul

What's wrong with me?

I'm itching like a man on a fuzzy tree

My friends say I'm actin' wild as a bug

I'm in love...I'm all shook up

Mm mm oh, oh, yeah, yeah!

 

My hands are shaky and my knees are weak

I can't seem to stand on my own two feet

Who do you thank when you have such luck?

I'm in love...I'm all shook up

Mm mm oh, oh, yeah, yeah!

 

Please don't ask me what's on my mind

I'm a little mixed up, but I'm feelin' fine

When I'm near that girl that I love best

My heart beats so it scares me to death!

 

She touched my hand what a chill I got

Her lips are like a volcano that's hot

I'm proud to say she's my buttercup

I'm in love...I'm all shook up

Mm mm oh, oh, yeah, yeah!

 

My tongue get tied when I try to speak

My insides shake like a leaf on a tree

There's only one cure for this body of mine

That's to have the girl that I love so fine!

 

 

 

 

Bit of History

Otis Blackwell (1932-2002)

Born February 16, 1932 in Brooklyn, New York, Otis Blackwell learned to play the piano as a child. He worked as a penny-a-day floor sweeper at a Brooklyn theater and later as a clothes presser. He dreamed of being a singer. As a teenager, he won a talent contest at Harlem's Apollo Theater. His victory led to a recording contract with Joe Davis' Jay-Dee label. In the 1940s, Blackwell performed in New York City jazz clubs, where he met another aspiring singer/songwriter, Doc Pomus, who encouraged and helped him early in his career.

Blackwell's first recording, "Daddy Rollin' Stone" was released by Jay-Dee in 1953. Popular in Jamaica, it was recorded by Derek Martin and The Who. During the 1950s, he recorded rock 'n' roll for RCA Records and Groove, but never enjoyed much success as a singer, even as many of the songs he wrote became hits. According to Blackwell, he "was thrown into" the role of songwriter when asked to write songs while recording for a small New York company.

Blackwell's big break came on Christmas Eve (1955); he sold six songs for $150. Elvis Presley picked up one demo that featured Blackwell on piano. The song, "Don't Be Cruel," became number one in 1956, as did Blackwell's "All Shook Up," which was inspired by a shaken bottle of Pepsi Cola. While Presley is listed as a co-writer on both songs, the King of Rock 'n' Roll played no role in their composition. Other Blackwell songs performed by Presley include "One Broken Heart For Sale" and "Return To Sender" (1962).

Blackwell made demos of his songs before being recorded by others. Some historians believe Presley adopted his vocal style and mannerisms. Moreover, Blackwell made demos of songs he did not write, but were later recorded by Presley. Presley, who died in 1977, never met Blackwell.

A prolific songwriter, Blackwell wrote hundreds of songs that became hits for a long list of recording artists, including Little Willie John ("Fever,"1956), Peggy Lee, Dee Clark ("Hey Little Girl" and "Just Keep It Up", 1959), Jimmy Jones ("Handy Man", 1960), Cliff Richard ("Nine Times Out Of Ten', 1960) and Jerry Lee Lewis ("Breathless" and "Great Balls Of Fire" 1958). Blackwell, who also wrote songs under the pseudonym John Davenport, wrote more than 1,000 songs that were recorded by performers, including Ray Charles, Chrissie Hynde, Debbie Harry, Billy Joel, James Taylor, Otis Redding and Kris Kristofferson. He was inducted into the Nashville Songwriters Foundation Hall of Fame in 1986. In 1992, Blackwell received a Pioneer Award from the Rhythm & Blues Foundation. Songs written by Blackwell sold more than 185 million copies. Blackwell died May 6, 2002 in Nashville, Tennessee. (Sources: www.tennessean.com and www.vh1.com)





After Say It Loud

By John Burl Smith


Honoring James Brown, most assessed his impact as an entertainer on the modern world. Hugely popular, we say his whole name, as though he is a universe we can only view telescopically or muse about in some altered state of conscious. Unequivocally, a tremendous motivator during the turbulent 1960s and '70s, James Brown's smash hit Say It Loud, I'm Black and I'm Proud propelled blacks to establish their identity. An obvious thought today, being black, but at the time - assassinations of Meager Evers, Malcolm X and Dr. Martin Luther King, Jr.-- only men of courage made bold statements about our race.


Since being kidnapped and brought to America from Africa as slaves, a crucial issue for black people is the fact that an identity eluded us. European slave companies saw trafficking in human beings as a legitimate and ethical means of commerce. They institutionalized racism by reducing Africans to a commodity. White marauders dragged shanghaied Africans aboard ships and packed them like sardines for sale in the New World. Crossing The Middle Passage, hundreds of thousands died lying in their feces or at the bottom of the Atlantic Ocean.


Brought from different countries, all Africans had one designation -- slave. Slavery in America was institutionalized racism; it systemized their descendants as slaves in perpetuity. Making many into one, white slavers destroyed our African heritage and gave us a slave's identity. They determined everything about us, most notably what we were called. Alex Haley illustrated this brilliantly in Roots, when Kunta Kinte is forced to accept Tobie as his name. Slaves were given various designations, most prominently 'colored' and 'Negro.'


Image goes to the heart of self-esteem and is as much a part of identity as designation. Whites developed caricatures for slaves and their descendants which reflected the most negative characteristics and qualities to demean their sense of worth. Moreover, slaves were forced, sometimes under the penalty of death, to live their lives according to these images. Denied learning such as reading, mathematics and writing, slaves were branded as dumb and stupid. Forced to work without compensation for others, slaves were stigmatized as lazy. Universally, chided as worthless, slaves were among the highest priced commodities of that day.


James Brown's Say It Loud, I'm Black and I'm Proud was a rejection of white imposed identity, and it asserted our view of ourselves. Claiming our blackness, we declared our intent to put our mark on the world in our own names. Hip hop is only the beginning. No more blacking up to gain access or Otis Blackwell and Elvis Presley. James Brown gave us the courage to accept our black faces and the pride to show them any place we pleased. Our hair was nappy and we loved it that way. We found a spirit in Say It Loud, I'm Black and I'm Proud that acknowledged we were a new people made by slavery -- not completely African but definitely not white.


Approaching fifty years since those immortal words blasted across the airways and exploded in our hearts and minds, we face a new millennium. Lashed daily by "Good Times" to change our minds, perms to change our hair and bleaching creams to change our skin, the "colored" folks that resulted are lined up, fighting to get back that slave mentality. Seeing themselves as too rich, too intelligent, too sophisticated and too elevated to be black, they reject James Brown's "declaration of identify." Marching backwards, decked out in their slave mentality, they have traded in their pride for the dream of being treated like "white folks."


After Say It Loud, I'm Black and I'm Proud, slave descendants must embrace their common heritage. Accepting that reality we can establish our claim to all that slavery took from us. Dot M. Smith's Chasm of Inequality Analysis, which measures institutionalized racism, proved slavery never ended. The result of her analysis mirrors the 3/5 Compromise: the socioeconomic and political basis of institutionalized racism in the USA. With the same spirit and love that we embraced our blackness in the 1960s and '70s, we need to state clearly our intent to represent our slave heritage so we can claim what is owed us for being made into a hyphenated people. Say It Loud, I'm Black and I'm Proud back then gave us one mind about who we were and what we wanted. We must be just as clear and resolute today.

 

 

 

 

Venue for an Artist

Black Leaders....You're Fired!

By Min. Paul Scott


Dear Black Leader..As the unofficial self- appointed representative of the people who you are supposed to work for, I have a bit of bad news effective MLK Day 2007....You're Fired!!! Or, as Martin Lawrence used to say, "Gets ta steppin!"


It's not that we don't appreciate your hard work and dedication in fighting for our civil rights and everything. We know your bio, which you always share with us anytime we ask you what have you done for us, lately. We know about the marches, the demonstrations, the police dogs and the jail stays. But that history is lost on this generation. They are desensitized to the "going to jail thang." My cousin Clyde, the Klepto can do a 10 year bid standing on one hand. As far as the police dogs, Lil Tyrone has to deal with stray pit bulls everyday coming home from school. So the tales from the past just don't move Black folks like they used to.


Accounting is concerned about the expense account that you've been runnin' up. They say that you have been abusing the company's Bank of Harlem Black Card. Is it really necessary to wear $2000 Brooks Brothers suits and $1500 Italian leather shoes, everyday while the people you work for get their clothes from Wal Mart and Pick and Pay? (Work rule # 4081, never out dress the boss.)  And, how about the first class airline tickets and the 5 star hotels? Also, the board of directors thinks that the $5000 honorarium that you charge historically Black colleges for 45 minutes of your wisdom is a little excessive. Especially when you are going to ask the strugglin' college kids to break you off $28.99 for your latest hardback after the lecture?


My peeps in the street are also tired of seeing you flossin' on C-Span more than they see you in tha hood, homie. They want you to step your rap game up and come with something a little fresher than a remixed "I Have a Dream" speech every year. At least Jay Z and them can bust a funky freestyle off the top of their heads. And stop criticizing their spinning rims and platinum teeth when you are bling blingin' more than they are. And for the record, they said that they ain't gonna stop using the "n" word as long as you keep referring to Black folks as minorities and "colored people."


The Boyz in the Hood want a chance to shine on the cover of Ebony and on the radio, too. My boy, Tre said that he was in the newspaper one time and his mom's said that he looked real good dunking the basketball in the Cross City Championship of '95. He once dropped some serious science after the Hurricane Katrina disaster in the middle of Mr Luther's Barber Shop and got a standing ovation and a free hair cut! Brotha's got some real talk for the people but NPR won't holla at him, though.


The interns who have been running around getting your coffee and filing your papers for the last 20 years are getting tired of being passed over for promotions. Word around the break room is that they are planning a hostile takeover if changes aren't made soon. I know that you always thought that the main threat to your job would come from the Conservative cats on the 5th Floor who you play golf with every weekend but you underestimated the Brotha in the Red, Black and Green T-Shirt that you had in the field picking up garbage.


You didn't know that the old school Public Enemy pumpin' in his IPod headphones and the books on Garvyism that he was reading during his lunch break would give him grand ideas about taking over the company.


We tried to get your pension straight, but funny thing, no one in Human Resources remembers hiring you. It must have happened during the race riots of '69 when the Brothas were handlin' their business in the streets. When the smoke cleared all the rest of the Brothas were doing long prison sentences but you were at the front of the line to be the first negro to integrate Whiteman and Liverpool Inc.


To find a suitable replacement, we have decided to launch our own reality show "America's Next Black Leader," and we will be going through hoods across America with a camcorder to see who is actually out there feeding the people, fighting the power and doing all of the other things that you preached to us that we should be doing for the last 40 years.


So we thank you for your years of service and we know that you will have no problem finding a new job with your white corporate sponsors. Best Wishes, Min. Paul Scott



About Me: "TRUTH Minista" Paul Scott represents the Messianic Afrikan Nation in Durham NC. He can be reached at (919) 451-8283 or via email at minpaulscott@yahoo.com. His lectures are available online on youtube.com at http://www.youtube.com/profile_videos?user=minps.



 

DISHing It Up Hot!

On Institutionalized Racism

By Dot

 

Epitomizing the views of blacks held by the United States' founding fathers when they agreed to legalize slavery, the USA is a hostile environment for slave descendants. There is no aspect of black American life that is not negatively influenced by Article 1 Section 2 of the US Constitution, the institutions created to enforce that law and the public attitudes that reflect, support and nurture it.

In employment, which represents the single greatest source of individual income and economic welfare, racial discrimination is the rule of thumb. Historically, blacks are the last hired and first fired, insuring a cycle of poverty relative to their white counterparts.

Reports that blame black poverty on out of wedlock births or other statistics, including level of education and geographical location, excuse and/or ignore the role of institutionalized racism in assuring the disadvantage of blacks relative to whites. Fact is, blacks are mired in a legal chasm of inequality, which is borne out by a retrospective analysis of the economic welfare loss due to unemployment.

My 1982 chasm analysis, which is updated annually, shows blacks bear the brunt of the economic pain of downturns in the US' business cycle. Blacks experience unemployment rates twice that of whites. Even at low levels, the official unemployment rate is deceptive, since many blacks are discouraged and not counted as unemployed. Frequently, blacks work for temp agencies and in day labor situations, i.e., neo-slavery, or they work on part-time jobs that afford few, if any, benefits.

Victims of redlining, predatory lending and police profiling, blacks are losing their homes and are being locked away in prisons faster than black farmers are being pushed off their land. The slave descendants' collective experience exemplifies a hostile environment. Whether we examine it from an anthropological, economic, political, psychological or social perspective, the black USA experience reflects the 3/5 Compromise of white supremacy -- the law of the land.

Ironically, our so-called black leaders and members of the black intelligentsia do not rail against the institutions established by Article 1 Section 2 to enforce the first law of inequality. In fact, most blacks ignorantly assume amendments to the constitution abolished slavery. Yet, there is an Electoral College, which was created based on the first law, the ghetto tax and federal, state and local public education funding formulas, which systemically shortchange black children that reside in the nation's urban centers.

On Monday, January 15, 2007, the nation celebrated the birthday of Dr. Martin Luther King, Jr. His dream of racial equality figured prominently in the public addresses and programs held across the country. Yet, in none of those addresses covered by mainstream media did the speakers mention abolishing the first law of institutionalized racism.




Disgruntled wants to know: Blacks in the United States were kidnapped and made into slaves. They were held in bondage for life. White society robbed them of any sense of themselves, then replaced it with the image and identity of a buffoon. The principle indicator of a slave's mentality is emulation -- the slaves' pathetic attempts to look like their masters. Look around today, do black people reflect images that say we have overcome what slavery made us and take pride in our blackness, or do we more resemble white imitators?


Disgruntled says: Great news! The stock market closed at an historic high. From the nation's underbelly, news that the market precipitously rose does not get a rise out of the black boats still sinking in this tidal wave of prosperity. Many of those black boats that should have stayed afloat got swallowed up by outsourcing, government downsizing and privatization, illegal immigration, H1-B visas, business mergers and acquisitions, all things that exacerbated labor conditions for black Americans. Down under, people are unconcerned that the stock market closed higher or lower. There is no wealth-effect in nonexistent portfolios.



Disgruntled feels: Shook up! For those of us that have long seen George W. Bush in a decidedly negative light - some of us believe the man is downright evil - it comes as no surprise that he would turn the Iraq Study Group (ISG) report upside down. The ISG recommended redeployment and diplomacy with Iraq's neighbors and others nations in the region. Instead, Bush changed his military leaders, called for an increase in US boots on the ground and hinted at war against Syria and Iran. The man is in love and the world is in trouble; he is all shook up over killing and war profiteering.

 

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